Week 63

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Lambchop

Aw C'mon / No You C'mon

City Slang

 

I've always had a little trouble with the idea of 'Best Of' albums. Aside from the obvious objectivity involved, in that one person's favourite songs by an artist will invariably differ from the next's, many such collections could better be described as Greatest, or indeed Only, Hits. I suppose this is rather pedantic on my part; whatever you call them, their purpose is to neatly package well-known songs for the more casual listener, with perhaps a new track or two to attract fans. Most 'Best Of' records could thus also be called 'A Potted History Of'.

Which brings me, finally, to my point: Lambchop's latest release, the double album 'Aw C'mon / No You C'mon', feels like a best of. It isn't one; each of the 24 tracks is new and previously unreleased. Contained within them, though, are echoes of the band's previous six full-length releases.

This is something of a departure for Lambchop. Right through from their debut 'I Hope You're Sitting Down' up until 2002's 'Is A Woman', their albums have been notable for their coherence, their sense of identity. Each of the six has its own distinct sound, be it the relaxed strings and hushed, almost spoken vocals of 'How I Quit Smoking' or the piano-led groove of the aforementioned 'Is A Woman'.

'Aw C'mon / No You C'mon' is still unmistakably Lambchop, however, due largely to Kurt Wagner's gruff, familiar drawl. The instrumentation and arrangement will be recognisable to anyone who has heard the band before. It's hard to find fault with individual tracks - indeed, some rank with the finest to come from Wagner's pen - but there is a nagging feeling that this could have been pieced together from off-cuts of previous sessions.

Nowhere is this more apparent than at the end of the second CD. 'The Gusher' almost hints at the addition of a jazz tinge to the trademark alt-country sound. Penultimate track 'Listen' could have been spare from the 'Is A Woman' recordings, whereas closer 'The Producer' recalls the more traditional country of Lambchop's early days.

Let me get one thinbg straight: this is not a bad record. In terms of song quality and entertainment value, Lambchop have not dipped at all. This offering merely requires a little more getting used to.

Like a good best of, 'Aw C'mon / No You C'mon' provides a succinct summary of Lambchop's sound for newcomers. Better than a best of, here are 24 new tracks, including much for fans to celebrate. It might just be that, 10 years down the line, Lambchop have made their best record yet.

Grant Lakeland

 

 

 

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Milky Wimpshake

Needed: Heart Handbook 7" single

Fabulous Friends Records


Six Reasons for Falling In Love:

1. Milky Wimpshake, the very yearning of innocence wrapped up in a 30-something wit, brutal but sweet sounding, soft-centred - missing your stop on the last bus home, lost in your own thoughts, finally getting back and remembering that the only thing you have for company is a bunch of lifeless vinyl and THIS record.

2. Sweden in July, being battered by sunshine all day only for the night to turn into violent, glorious, chills. One hundred pop kids dancing for their little lives to Milky Wimpshake. Precious moments pass by with every drop of sweat, kids fringes fall in their eyes with every note that rings - being glad I'm one of them.

3. Calling this Twee-Punk because the two words hate each other and I like seeing them together. Bashing out three chord rhythms on guitars whilst playing keyboards with one finger - "I need a guidebook or a map/ to find a way straight to your heart"

4. K nowing that records like this can be made ten minutes from where I was born.......

5. .....and put out on record labels run by people who's own songs make me think of that same night of sweat, shivers and hair across my eyes.

6. Thinking they'd understand me.

Ian Cowen

 

 

 

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Schwervon!

Poseur

Shoeshine Records

 

Take some random noises, mix unconventionally and back with some very rock and roll drum and guitar and you have Schwervon! A band that truly deserve their exclamation mark.

Comprised of Major Matt Mason (solo artist and member of Kansas State Flower) and Nan Turner (Pansuit), Schwervon!, have a distinctive style which when analysed makes no sense whatsoever. However put it together and you have something amazing. The pair mix unobtrusive humour with undisguised passion to produce something truly fresh and unique.

I first listened to "Poseur" on a dull Monday night not really expecting it to pull me out of my mediocre mood. A few minutes into the CD and work had faded into a memory.

It's not often that I put on a CD and find myself singing along to it after the first listening, but less than two minutes through "Bad Music" the first song on the album not only was I finding it hard to stay still but I was singing (badly) along to the chorus. To say the music is slightly infectious would be like saying a giraffe is slightly tall, or a zebra is slightly stripy. This is music that makes you feel good. It grabs you, it shakes, it makes you want to dance.

In contrast "One Of These Days" is a slow almost breathless song telling of desperate longing for better times. Vocals collide against a simple rhythmic melody and as Matt gasps and cymbals clash the listener is brought to a shuddering conclusion and "Wake Up Fall" gently rolls into view, flowing round you like a warm silk blanket.

The album finishes with the beautifully disjointed "The Hard Kind". The slow uncertainty of the song contrasts sharply with "Bad Music" but even before it was over I knew I was in love. This is not bad music. It is good music.

Rachel Queen

 

 

 

 

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