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Sometimes rock and roll doesn’t necessarily
make you want to jump around the room, it doesn’t always have you
singing your head off in the car as you make your merry way around
suburban estates, or up and down miles of endless motorway; there
are, believe it or not, occasions when a group of musicians put out
a record that has much more than all that to offer. So very much
more.
In the same way that in the art world Guernica
would leave you feeling edgy and intense in a way that Camille
Pissarro’s Little Bridge at Pontoise could never muster, music,
it has to be said, can stir your emotions and moods
in any one of a million ways.
With ‘Static Patterns and Souvenirs’ Nottingham
based four piece have crafted a collection of songs that will lull
you gently and find you a haven from the rat race; they will ease
your weariness and soothe your anger until there is nothing left to
do but submit to the sounds that they create. Despite being
immensely stripped back, and lusciously disparate and fragile this
record has the unnerving ability to hold you compelled, totally and
utterly unable to do anything other than absorb the atmosphere,
become enveloped in the aura and succumb to the sounds of the static
patterns flowing gently from your speakers, totally transfixed by
the beauty of it all.
The slow-core nature of this record immediately
brings to mind the works of Mojave 3, Low, Mazzy Star, and Words on
Music label-mates Coastal, the dreamy, downbeat, introspective
nature of the songs is wholly captivating, whilst the compelling,
structured melodies leave you unable to do nothing more than stare
at the sounds as they seep around the room with an effortless
elegance and an insistent charm. On the surface it all seems very
basic, stripped back and skeletally fragile, but listen again and
there are layers and layers of subtle, delicate orchestration going
on that belie the lo-fi nature of the whole production. Lorna just
seem to be so good at what they do that you don’t immediately notice
it happening.
The whole record rolls and falls, it sways and
swoons and brings together a whole host of influences from country,
through folk and right around to the understated Scottish pop of
Belle and Sebastian and Camera Obscura. If you’re looking for a
hazy, lazy Sunday morning record to gently breeze you through the
summertime, then this is the record for you, if what you want is a
set of songs to ease the pain of distance, to quell the forceful
emotive desperation of separation then I can recommend these songs.
If you are in need of luscious, luxurious, textured, innately
beautiful songs to make your world a better place then Lorna have
the record for you. It really is that simple.
Words by Johnny Mac
(more by this author)
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